Tag Archives: paganini

Niccolo Paganini: Sonata Concertata Op.61 for Guitar and Violin: Rondeau

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Niccolò Paganini (1782-1840)

Niccolò Paganini is one of the most famous violin virtuosos of all time. His compositions and playing style made a major impact on modern violin playing. He is best known today for his 24 Caprices for Unaccompanied Violin which are some of the most difficult pieces ever written for the violin.

A little known fact about Paganini is that he was not only a violin virtuoso but also a guitarist. Paganini used his knowledge of guitar techniques such as arpeggios, triple stops, and pizzicato and expanded the technical capabilities of the violin by incorporating these techniques into his violin etudes and concertos. During his concerts he often played both the violin and guitar. Sometimes he played the guitar as a soloist, and other times he played it in duet with another instrument. Niccolò Paganini composed a lot of music for violin and guitar duet. He famously did a tour where he played several of his violin/guitar pieces as the violinist with a guitarist, and also toured playing several of his violin/guitar pieces as the guitarist with another violinist. These pieces, unlike several of his 24 Caprices for unaccompanied violin and concerto movements, are very tuneful and pleasant to listen to. They are not screechy, scratchy and shrill like some of the Paganini pieces violin virtuosos often play.

Gil Shaham (1971 -)

Gil Shaham is a world renowned violin virtuoso known for his impeccable musicianship and fabulous playing technique. He is in great demand all over the world as a soloist and recitalist, and has appeared in concert with many of the world’s great orchestras.

Göran Söllscher (1955 -)

Göran Söllscher is a world renowned classical guitar virtuoso who has a very wide ranging repertoire. He plays everything from J.S. Bach to music by the Beatles.

In this recording, violinist Gil Shaham and guitarist Göran Söllscher play a movement from Paganini’s Sonata Concertata in A Major Op.61 for Guitar and Violin. This is the Rondeau from that sonata, which is a lively little piece. This recording is from Shaham and Söllscher’s album entitled “Paganini for Two.” Enjoy.

Paginini’s Thing | Dick Wellstood | Stride Piano Masterpiece

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Dick Wellstood (1927-1987)

Dick Wellstood was an American jazz pianist.  He was one of the great stride pianists.  Wellstood had a real knack for taking just about any jazz tune or classical tune and turning it into a really exciting stride piano piece.  Here he takes a well known piece for violin called the Caprice no. 24 in a minor by Niccolo Paganini and turns it into a stride piano piece.  If you aren’t familiar with the original version of the piece on the violin, I suggest that you listen to that before you listen to Dick Wellstood’s version.  If you understand what the original piece sounds like you will appreciate the stride piano version of the piece more.  Enjoy!

 

 

Leonid Kogan – Paganini Sonata for Violin and Guitar, Op 2a

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Nicolo Paganini (1782-1840)

Italian violinist, guitarist, and composer.  Paganini was famous as a violin virtuoso and a composer who helped expand violin technique through works such as the 24 Caprices and 6 violin concertos.  Paganini also composed close to a 100 duets for violin and guitar.  Sadly the duets for violin and guitar have been neglected because most people only know about the 24 Caprices for solo violin and the violin concertos of Paganini.  Paganini’s caprices and concertos were the only works of his published during his lifetime.

Leonid Kogan (1924-1982) was one of the great Soviet violinists of the 20th century.

Here is a recording of Leonid Kogan (violin) and Alexander Ivanov Kramskol (guitar) playing Paganini’s Sonata in A Major, op.2.  Listen how the violin melody cascades in between the guitar chords.  What a beautiful tone that Kogan produces on the violin!

I decided to post this piece because it is a Paganini piece that most people have not heard.  It is also very simple and beautiful.  This music also shows a different side of the composer and virtuoso.  It is not simply virtuosity for the sake of virtuosity, but real music.